Tuition & coaching in voice (singing & speech), vocal health
piano, music theory, keyboard harmony

piano solo, piano accompaniment. Perth, Western Australia

www.piano.mixmargaret.com

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Mix Margaret Dylan Jones

The Piano Pages

Piano accompanist, répétiteur


In the early 1980s I worked many hours every week as a pianist in Sydney, accompanying and coaching many dancers, singers, singing students, and instrumentalists. My own singing teacher employed me for about 22 hours each week for 18 months to play in her other students' lessons.

What a great time that was for me! I would go to work, sight-read all kinds of wonderful song accompaniments for hours and hours, get my pay, and go home in time for the news. Way to go.

I remember playing Schubert's famous Der Erlkönig (The Earl King), with its very difficult fast repeated triplet quavers in the right hand. It was just as well that the student didn't get a chance to sing it all the way through from beginning to end when I first tried it---my arm would have fallen off.

While in Sydney I worked as musical director, repetiteur or rehearsal pianist for several amateur or semi-professional stage productions: South Pacific, The Desert Song, The Rocky Hospital Show, and a new jazzy musical called You, Me and the Gatepost.

For six months or so I played piano for ballet classes at the NSW College of Dance. The director at the time was Kelvin Coe, while I worked with the Traynor sisters. I would play Tchaikovsky's Swan Lake and other great ballet music while the dances went through their paces.

After returning to Perth in 1985 I did not work much as a pianist until 2000, when I played The Wizard of Oz for Newman College (four performances in the Octagon Theatre). I also did West Side Story for Newman, and played for their large Regional Mass. Of course, I play for my own singing students in their lessons, and sometimes when they appear in public.

So if you have need of a VERY MUSICAL sight-reading pianist, who can really ACCOMPANY or COACH, phone me on 0427 853 083, or send me an email:  mixmargaret over at bigpond.com (replace ' over at ' with @).

Definitions

Accompaniment, "that part of a composition which provides the harmonic and rhythmic backing to a melodic line, esp. a song" (The Penguin Macquarie Dictionary). An accompanist is one who plays this part of the music, and is most often a pianist. Other sources of accompaniment could be the organ, guitar, or orchestra.

Répétiteur, "private tutor" (Langenscheidt Standard French Dictionary). Originally from the French verb répéter meaning "to repeat, to go over, to learn, to rehearse" (wikipedia.org). In actual usage, I find this term means a pianist who works with singers, especially opera singers, to rehearse or teach them their vocal lines. A repetiteur often needs the ability to re-arrange the music AT SIGHT to enable the tune to be heard with an adequate piano accompaniment.

Back to my main Piano Accompaniment Page

I'm in Morley, a suburb of Perth, Western Australia.

Mix Margaret D. Jones

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The Piano Pages

Accompaniment
Music for venues
About Old Pianos
Piano Lessons
Theory at the KBD
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The Singing Site 
Reviews & Resources
About Me
My Qualifications
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Click on the links above for rapid solutions or phone me on 0427 853 083 Email: mixmargaret over at bigpond.com (replace ' over at ' with @)
Mix Margaret Dylan Jones, MusB(UWA),
DipEd, LTCL, ATCL, AMusTCL, AMusA
I'm an androgyne.  Read all about me. See all my music qualifications
(c) Margaret Dylan Jones 15 June 2010   Document made with KompoZer